“A year or so after my mother died, I received an unexpected inheritance.”
In Confession with Blue Horses Sophie Hardach captures the fraught atmosphere between East and West Germany.
When Ella, a rather aimless thirty-something year old, comes across some of her mother’s diaries, she’s drawn back to her birth city, Berlin, where, assisted by an intern archivist, she will try to uncover who betrayed her parents all those years ago and the fate of her younger brother, Heiko.
Moving between past and contemporary Berlin, Hardach’s contrasts the stifling climate, as well as fear and suspicion, that pervaded the lives of GDR citizens to the bohemian and artistic Berlin of the 2010s. Yet, as Ella discovers on her trip, few people have forgotten the past.
While the ‘daughter finds papers/diaries from a female relative and decides to uncover secrets from the past’ is a rather tired premise, Hardach focuses on a time that has not received enormous attention in fiction (these type of dual narratives usually take place between now and WWII). Hardach excels in depicting Berlin and its different people, showing us that families, like Ella’s, can have divided allegiances. Rather than completely demonising those who worked for or respected the GDR, she gives these characters a chance to express themselves and their views. Her narrative navigates themes such as guilt and culpability with poignancy.
Given the nature of this story’s subject Hardach touches upon some frankly horrific topics, but she does so with an unsentimental approach.
What perhaps kept me from being fully immersed in this novel was the characterisation of certain characters. While those who have only small appearances struck me as believable, Ella and her family lacked…personality. Her parents and Toby in particular seemed somewhat unfinished portraits. While I understood that someone with PTSD could be a difficult character to render, someone like Toby should have had a lot more development. Ella too was very much reduced to her quest to find the truth about her parents failed escape attempt and of what happened to her little brother. Supposedly she is an artist but she never seems to think of her art or artistic process.
Not only does the storyline switch between Ella’s childhood to her present but there are a few chapters from the third perspective that focus on Aaron. These chapters felt somewhat out of place. Aaron remained a bit of a non-entity, whose only purpose is to assist Ella in her quest.
While I really appreciated the way Hardach’s handles difficult subjects matters, the wit and sorrow of her prose, and the mentions of Christa Wolf, part of me was left wanting more. The storyline treads a familiar and fairly predictable path.
My rating: ★★★✰✰ 3.25 stars