“We become eternal by being held in memory’s loving arms.”
After I read Richard Wagamese’s Medicine Walk, I was looking forward to reading more of his work. And Ragged Company did not disappoint. Similarly to Medicine Walk, which felt like a long conversation between a dying man and his son, Ragged Company presents its readers with a dialogue-heavy narrative. Amelia One Sky, Timber, Double Dick and Digger are the makeshift family at the heart of this novel. After enduring personal tragedies and hardships they now live on the street, referring to themselves as rounders, where they spend their days drifting from street to street, on the lookout for warm spots, food, and drink. During a particularly cold winter they start seeking refuge in movie theatres, where they find themselves being swept away by the films they watch. They repeatedly come across the same man, a former journalist called Granite, who also views films as an escape. After the loss of his wife and child Granite views films as an escape from the pain of his lonely existence. While not everyone is keen on his presence, Digger for one is particularly against ‘Square Johns’ (that is ‘respectable’ members of society), our rounders form a sort of companionship with Granite.
When Digger picks up a winning lottery ticket, for the value of 13.5 million dollars, their lives are irrevocably changed. Because they don’t have any proper identification they seek Granite’s help. Although their newfound wealth drastically changes their lives and lifestyles, they have difficulty assimilating back into society. They carry their trauma with them, and are all similarly haunted by their past. As each character tries to confront their past actions and mistakes, the bond between our makeshift family deepens. Things don’t go smoothly for all, and at times no matter how hard you try you won’t be able to forgive yourself for the terrible things that you did.
As I said this is a very dialogue-oriented story. Whereas in Medicine Walk descriptions of the natural landscape offer breaks in the father/son talk, in Ragged Company the focus remains on the characters’ conversations and arguments. Still, First Nation beliefs and teachings around spirituality illuminate its narrative.
Although this isn’t an easy or fast read, I loved it. Wagamese has a gift for creating realistic characters, and an ear for dialogue. Although he doesn’t loose himself in sentimentalities he demonstrates careful empathy when writing about his characters’ suffering. Because the story is set in 1980s the films our characters watch and discuss could easily seem dated or obscure, but thanks to Wagamese skill for conveying his characters impressions of these films they don’t (if anything he made me want to watch those films I didn’t know about). Plus Cinema Paradiso gets a mention!
If you happen to have read other books by Wagamese or you watched and enjoyed Satoshi Kon’s Tokyo Godfathers chances are Ragged Company is the book for you.