“When she was just a kid, Gloria told her never to trust a group of happy, smiling multiracial people. Never trust races when they get along, she said. If you see different races of people just standing around, smiling at one another, run for the hills, kid. Take cover. They’ll break your heart.”
A disquieting yet hypnotic novel New People makes for a quick but far from forgettable read. Set in the 1990s in New York the story follows Maria, a twenty-something woman who, alongside her fiancee Khalil, will star in a documentary called ‘New People’ which focuses on biracial and multiracial young people in NY. Maria’s pale skin often leads other to assume that she is white or Mexican, a fact that has always made her feel on the outskirts of her Black community (even if her adoptive mother was Black). Maria and Khalil met in college and everyone seems to think that they are perfect for each other: “Their skin is the same shade of beige. Together, they look like the end of a story”. Maria, however, grows infatuated with a Black poet (we never learn his name, he is referred to as ‘the poet’) and seems to believe that he reciprocates her feelings. Believing that they share a connection Maria engages in some creepy and stalkerish behaviour that sees her crossing all sorts of lines. As the narrative progresses we learn more of Maria’s past, and what we learn is not particularly pretty (that ‘prank’ she pulls on Khalil…yeah). We also see her previous relationship, many with white boys, the latest of whom reinvented himself as Chicano. Maria’s uneasy feelings towards racial identity is rendered in stark detail. Senna touches upon the ‘tragic mulatto’ trope by providing a far more modern and relevant commentary on multiracial identity. Senna also captures with uncomfortable clarity Maria’s frame of minds: obsession, delusion, anger, repulsion, despair. While readers are not meant to like her they will feel some degree of sympathy towards her (no doubt to Maria’s own discontent). The narrative has a feverish quality to it, one that really emphasises Maria’s downwards spiral. Shrewd and occasionally scathing the novel explores subjects such as race, identity, belonging, hatred, obsession and alienation without providing easy answers. The questions and discussions that emerge in New People brought to mind the ones in Nella Larsen’s work, particularly Quicksand.
I do wish some things had been handled differently. I would have liked more of Khalil and his sisters and less of Greg. And, although I did appreciate the narrative’s foray into hysterical realism I did find some of the guys to be too cartoonish (such as Khalil’s friend who apparently speaks in clichés :“I love Khalil like a brother. Okay? So if you hurt him, you are going to have to contend with me.”).
I wouldn’t recommend this book to a lot of readers. Maria is a character who exhibits some perturbing behaviour and the narrative doesn’t paint anyone in a good light. The story seems in fact intent on showing how hypocritical and performative people are (and in making you freak out about what Maria is getting up to). The ending lessened also my overall appreciation as it felt both weak and predictable. Yet, I do think that the author told, for the most part, a unique story with a real edge to it. If you are into novels about self-destructive and alienated young women such as My Year of Rest and Relaxation, Luster, and Pizza Girl you should give New People a try.
PS: The book has no quotation marks which is why I opted for the audiobook.
my rating: ★★★☆☆