“Trust me, her face said.
That was the problem with making allies. At some point, inevitably, there came a moment when a decision had to be made: Could this one be trusted? Had their loyalty been won? Was their generosity a façade for a hidden knife?”
I more or less inhaled this 500+ page novel in two days.
Tasha Suri’s The Jasmine Throne may be one of the best high fantasy novels I’ve ever read. Superbly written The Jasmine Throne presents its readers with an evoking Indian inspire setting, A+ world-building, a cast of compelling and morally ambiguous characters, a sapphic romance (think Fingersmith by way of Marie Rutkoski), and plenty of intriguing storylines that will keep you on the edge-of-your-seat. In other words, The Jasmine Throne is high fantasy at its best. It is exceedingly original and utterly captivating.
But some men dream of times long dead, and times that never existed, and they’re willing to tear the present apart entirely to get them.
The Jasmine Throne transports us to Ahiranya a nation plagued by a peculiar disease known as the rot. Ahiranya was conquered by Paraijatdvipa which is ruled by the fanatical Emperor Chandra. Between the ‘rot-riven’ and the growing discontentment towards the harsh Paraijatdvipan rule, Ahiranya is a nation on the verge.
Priya who works in the household of the regent of Ahiranya tries to help ‘rot-riven’ children. Although she does her best to hide her true identity and past the arrival of Malini, Emperor Chandra’s disgraced sister, complicates things, especially when Malini witnesses her powers.
After refusing to be burned at a pyre, in order to be ‘purified’, Malini is sent by her zealot brother to Hirana, a treacherous temple that was left abandoned after the deaths of its ‘children’.
Once Malini sees Priya in action she requests her as her maidservant. The two feel pulled to each other but both are aware that their desires may not align.
The Jasmine Throne provides its readers with a fantastic cast of characters. First, Priya and Malini. These two young women have been through a lot (and when I say a lot, I mean it). They have every reason not to trust one another but they cannot deny the nature of their feelings. To call it ‘love’ doesn’t feel quite right given the positions they are in. Malini’s brother is responsible for many horrific things, many of them which have left their mark on Priya and her homeland. Also, both at one point or another end up using the other. Yet, their relationship is chef’s kiss. There is yearning, lust, hate, understanding…
Of course, I found each of their character arcs to be just as captivating as the relationship that develops between them. They face many impossible situations and we may not always agree with their choices.
The characters around them are just engaging. From Bhumika, the regent’s wife, to Rao, Prem, and even Ashok. I loved the tension between all of them, as well as the betrayals and revelations we get along the way.
The world-building is top tier stuff. From the religions (we have the nameless god, the yaksa, the mothers of flame, each one is truly intriguing) and tales that shape each empire (the nameless to the magical elements. I found Suri’s storytelling to be truly immersive. There are many beautiful and haunting passages (“Family don’t have a duty to be kind to you. They have a duty to make you better. Stronger.” and “The first time Malini learned how to hold a knife was also the day she learned how to weep.”), as well as insightful discussions on power, revenge, and forgiveness.
It had been a while since I’d read something that gave me the so-called ‘feels’ but The Jasmine Throne sure did. Suri has crafted an engrossing tale that made me feel as if I was riding a rollercoaster. And that finale…wow. I have yet to recover from it. Suffice to say, I am anxious about the sequel (please Suri, be gentle on us!).
ARC provided by NetGalley in exchange for an honest review.