“We were fixed to one another, like parts of some strange, asymmetrical body: Frances was the mouth; Mary Lucille, the heart; Therese, the legs. And I, Agatha, was the eyes.”
Agatha of Little Neon is a gem of a novel. Claire Luchette’s prose is a delight to read, its deceptive simplicity bringing to mind authors such as Anne Tyler and Ann Patchett. From the very first pages, I was taken by Agatha’s thoughtful introspections—on her sisters, the people around her, her new community, the church—and her quiet wit.
Not only does Luchette demonstrate huge insight into human nature but I was always aware of how much empathy she had towards the people she’s writing of, regardless of who they are. While I was reading Agatha’s story it was clear to me that Luchette cared deeply about her characters, and she showcases both tenderness towards and understanding of her characters ( their struggles, desires, ‘flaws’, regrets).
“No one could understand why I hated talking, why it was so much work to come up with something to say. It was even more work to make it true or funny or smart. And then when you’d come up with it, you had to say it, and live with having said it.”
Agatha’s voice drew me in, so much so, that it seemed almost to me that I had been transported alongside her to Little Neon. After their parish experiences, some financial setbacks Agatha and her three sisters are relocated to Woonsocket where they will be staying at a halfway home, ‘Little Neon’. Over the previous 9 years the four sisters have led a symbiotic existence but once in Woonsocket Agatha finds herself growing apart from them. While her sisters stay at Little Neon, where they are meant to watch over its residents, Agatha teaches geometry at a local all-girl school. Here, for the first time in years, she is alone and unsupervised and this new independence forces her to reconsider who she is and what she wants. These realizations dawn on her slowly and over time, which made her ‘journey’ all the more authentic.
Agatha is a quiet and observant person who was drawn to the Church by her faith in God and by her desire to belong. For years her sisterhood with Frances, Therese, and Mary Lucille fulfilled her longing for connection but once she begins living at Little Neon she finds herself growing attached to its various residents in a way her sisters do not.
“How horrible, how merciful, the ways we are, each of us, oblivious to so much of the hurt in the world.”
Much of the narrative focuses on seemingly mundane, everyday moments. Meals, chores, trips to the local shops, car journeys. Yet, many of these scenes carry a surprising weight. These ‘small’ moments are given significance, Agatha, and by extension, us, may come to know someone else better or she finds her mind drifting to her past, her faith, her sisters.
Throughout the course of Agatha’s story, Luchette shows, without telling, the many ways in which the Church disempowers, exploits, and silences its women. Luchette’s commentary on the Church and its hierarchies and inner workings never struck me as didactic. Agatha’s disapproval of the Church does not result in loss of faith, something that I truly appreciated.
Luchette’s meditations on Christianity, sisterhood, loneliness, longing, belonging were truly illuminating. The author’s prose is graceful without falling into sentimentalism. In fact, some of the imagery within the story is quite stark and much of the narrative is permeated by a gentle but felt melancholy. This made those moments of connection and contentment all the more heartfelt and special.
There was a sense of sadness too, one that often resulted in many bittersweet moments. And, this particular line broke my heart as it reminded me of Jude from A Little Life: “I don’t think I have the constitution for it. For being alive.”
Agatha of Little Neon is an exquisite debut novel. The writing is beautiful, the characters compelling, the narrative moving. While it won’t appeal to those who are interested in plot-driven stories, readers who are seeking rewarding character arcs and/or thematically rich narratives should definitely consider picking this up.
ARC provided by the publisher in exchange for an honest review.
my rating: ★★★★½
ps: illustration from NYT