BOOK REVIEWS

THE LOST MAN: BOOK REVIEW

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The Lost Man
by Jane Harper
★★★★★ 5 of 5 stars

“What happened to him?”
“Usual story out here.” Nathan made himself keep his voice even. “Wandered the wrong way and got lost.”

To call The Lost Man a crime/mystery novel seems somewhat reductive. I guess that at its heart this is a story about a family, but even writing that doesn’t do this novel justice.
From its opening pages until the very last line we are made aware of—what seemed to me—the characters’ surreal surroundings: the sheer scope their land is mind-boggling. Living in the Australian outbacks is a real challenge, even if you were grown&bred there.
Harper gives her setting an almost palpable quality: the red sand, the unforgiving and oppressing heat, the treacherous terrain. All of these elements affect the story, making each scene all the more evocative.

It was the stillness that scared him. They did not see another car or person the whole drive home, Nathan remembered clearly. That wasn’t unusual, but that day he had noticed. There was no-one else around.

I would go as far as to say write that the setting functions as one of the players in the story.
For Nathan survival is hard enough, given the unyielding nature of his land, and his troubled relationship with his former community. After the death of one of his brothers, Nathan finds himself staying in his childhood home. The fraught relationship he has with his remaining family is apparent and the reasons behind his isolation are given to us…eventually. Piece by piece we start to gain the picture of Nathan’s past and of his current circumstances. There isn’t a big and unbelievable twist (hurray!), but rather Harper slowly provides us with the right information at the right time.

Nathan felt an unpleasant sensation creep through him and he had the sudden urge to check over his shoulder. There was nothing there but cattle and stubby grass and the horizon. All was quiet.

Soon enough I found myself almost moved to tears by Nathan’s past and present experiences. His uneasy reconciliation with his actions and behaviours was painfully believable. The other characters are just as nuanced and realistically ambivalent as Nathan. His relationship to his youngest brother, Bub, his son, Xander, and his dead brother’s wife, Ilse, are truly compelling. Kudos to Harper who, unlike other authors, is able to 1) depict abuse without recurring to cliched banalities and attributing this abusive behaviour to cartoonishly villainous characters 2) create believable teenagers and children.

Lo gave him a look that could kill a cow. “Not Santa.” She left the dickhead implied.

There is a perpetual sense of suspense, given by the unknowns in our characters’ past, the outbacks, and the legends surrounding the stockman’s grave.
Nathan, as well as some of the other characters, finds himself wanting to know exactly what made his brother, Cameron, abandon his car and wander to his death. Nathan’s unease is increased by his estrangement from his family (and others in general).

“I’m afraid, all right? That the property, and all this—” he gestured at the void outside the window,—all this bloody outback—is going to get to you”

I could easily go on and on about how fantastic this book is…but I will stop. The less you known, the better.
ps: Jackaroo is my favourite new word.
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BOOK REVIEWS

The Dry by Jane Harper

Harper delivers an absorbing yet somewhat ‘run-of-the-mill’ thriller. The story is one that has been done time and again: our main character returns to the small town where they are from (having left after certain traumatic events) and is forced to confront his past ghosts as well as his new ones.
Now, despite these stereotypical elements, Harper reworks this stock plot into one gripping tale. The very first scene is thrilling: Aaron is at the funeral of his old best friend, Luke, who committed suicide after mercilessly killing his son and wife. This opening chapter brims with a tense unease: Aaron and his father where forced to leave their hometown Kiewarra years earlier, and people have not forgotten him. Aaron is all too aware of how his small town works: gossip, suspicions, petty jealousies. Yet, before he can leave, he finds himself helping the local police: was his friend capable of murder? Had he done it before?
The setting is one of the strongest aspects of the novel. Kiewarra is facing the worst drought in centuries, and locals are desperate. Harper captures this feeling of dread perfectly: farmers and shopkeepers alike are restless. The violent act that Aaron’s friend is accused off does not help the community: now more than ever, they are itching for a fight, or someone to blame. And the heat spurs their hatred and fear. Against this sizzling backdrop, Aaron confronts this latest act of violence as well as seeking answers for what happened all those years ago.
While I found this novel to be engrossing, I wasn’t very shocked by the storyline. I was hoping it would turn into much more of complex mystery, but I predicted every single twist and turn of Aaron’s investigation. The old ‘mystery’, the one surrounding his childhood sweetheart, was rather pointless. It just stole the limelight from current events. And those flashbacks were just so…clumsy. They interrupted the flow of the story. By showing obvious events Harper diminishes the thrill of her own story. Also, they read more awkwardly then the rest of the novel.
So, while this novel is predictable, and I did find Harper’s structure – as in the inclusion of flashbacks – to spoil the overall suspense, the vivid setting that accompanies Aaron’s investigation keeps the momentum of the story going. A promising beginning that needs some tweaking.

My rating: 3 stars

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BOOK REVIEWS

Vigil by Angela Slatter

While Vigil doesn’t necessarily bring anything ‘new‘ to the paranormal/mystery genre, it has its own quirky take on the popular genre.
Weyrds are living in Brisbane. Their unusual appearances and abilities hidden behind glamours or merely thought of as eccentricities by the Normals.
Verity Fassbinder, a half and half, is a private investigator apt in solving Weyrd-related accidents. Her character is perhaps one of the book’s biggest strengths: she is incredibly straight-forward and sarcastic. Her witty remarks and perfectly timed puns made for very entertaining scenes. I found her to be an extremely charismatic narrator. Verity is from the very start the ‘engaging’ force that drives the story. Her investigations were engrossing: each lead she followed was captivating. Also thanks to the many other interesting characters such as Rhonda McIntyre, Ziggi, the Norns’ sisters and Lizzie, my attention never wavered. They made the story all the more compelling.
The humour somewhat reminded me of a more ‘adult’ Rick Riordan. And yes, Vigil might not be an incredibly moving or deep story, but I believe it is because it isn’t meant to be. Some aspects of it were stronger than others, still, it is a promising start for a highly amusing and absorbing series. Vigil is a fun and gritty mystery peppered by myths and magic.

My rating: 3 of 5 stars

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